Pans Labyrinth Kinox Pans Labyrinth - Film (deutsch)
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He asks Doctor Ferreiro to tend to the captive, whom Ferreiro then euthanizes at the rebel's own urging.
Realising that Ferreiro is a rebel collaborator, Vidal kills him. Vidal later catches Ofelia tending to the mandrake root, which he considers delusional.
Carmen agrees and throws the root into the fire. She immediately develops painful contractions and dies giving birth to Vidal's son.
Mercedes, having been discovered to be a spy, tries to escape with Ofelia, but they are caught.
Ofelia, mistaken as a traitor, is locked in her bedroom, while Mercedes is taken to be interrogated and tortured.
Mercedes frees herself, stabs Vidal, and rejoins the rebels. The faun, having changed his mind about giving Ofelia a chance to perform the third task, returns and tells her to bring her newborn brother into the labyrinth to complete it.
Ofelia successfully retrieves the baby and flees into the labyrinth. Vidal pursues her as the rebels launch an attack on the outpost.
Ofelia meets the faun at the centre of the labyrinth. The faun suggests drawing a small amount of the baby's blood, as completing the third task and opening the portal to the underworld requires the blood of an innocent, but Ofelia refuses to harm her brother.
Vidal finds her talking to the faun, whom he cannot see. The faun leaves, and Vidal takes the baby from Ofelia's arms before shooting her.
Vidal returns to the labyrinth's entrance, where he is surrounded by rebels, including Mercedes and Pedro. Knowing that he will be killed, he hands the baby to Mercedes and asks that she tell his son the exact time of his death.
Mercedes refuses, telling him that his son will not even know his name. Pedro then shoots Vidal dead.
Mercedes enters the labyrinth and comforts a motionless but breathing Ofelia. Drops of Ofelia's blood fall down the centre of the spiral stone staircase onto an altar.
Ofelia, well dressed and uninjured, then appears in a golden throne room. The King of the underworld tells her that, by choosing to spill her own blood rather than that of an innocent, she passed the final test.
The faun praises Ofelia for her choice, addressing her once more as "Your Highness. Back in the stone labyrinth, Ofelia smiles as she dies peacefully in Mercedes' arms.
The epilogue completes the tale of Princess Moanna, stating that she returned to the Underworld, ruled wisely for many centuries, and left quiet traces of her time in the human realm "visible only to those who know where to look.
The idea for Pan's Labyrinth came from Guillermo del Toro 's notebooks, which he says are filled with "doodles, ideas, drawings and plot bits".
He had been keeping these notebooks for twenty years. At one point during production, he left the notebook in a taxi in London and was distraught, but the cabbie returned it to him two days later.
Lopez said that "for two hours and a half he explained to me all the movie, but with all the details, it was incredible, and when he finished I said, 'You have a script?
In his little head he had all the history with a lot of little detail, a lot of characters, like now when you look at the movie, it was exactly what he had in his head".
Del Toro got the idea of the faun from childhood experiences with " lucid dreaming ". He stated on The Charlie Rose Show that every midnight, he would wake up, and a faun would gradually step out from behind the grandfather's clock.
But in the end, the faun was altered into a goat-faced creature almost completely made out of earth, moss, vines, and tree bark.
He became a mysterious, semi-suspicious relic who gave both the impression of trustworthiness and many signs that warn someone to never confide in him at all.
Del Toro has said the film has strong connections in theme to The Devil's Backbone and should be seen as an informal sequel dealing with some of the issues raised there.
In , del Toro said: " Pan is an original story. Some of my favourite writers Borges, Blackwood, Machen, Dunsany have explored the figure of the god Pan and the symbol of the labyrinth.
These are things that I find very compelling and I am trying to mix them and play with them. Del Toro wanted to include a fairy tale about a dragon for Ofelia to narrate to her unborn brother.
The tale involved the dragon, named Varanium Silex, who guarded a mountain surrounded by thorns, but at its peak is a blue rose that can grant immortality.
The dragon and the thorns ward off many men though, who decide it is better to avoid pain than to be given immortality.
Although the scene was thematically important, it was cut short for budget reasons. There are differing ideas about the film's religious influences.
Del Toro's explanation is "once a Catholic, always a Catholic," however he also admits that the Pale Man's preference for children rather than the feast in front of him is intended as a criticism of the Catholic Church.
In regards to whether or not the fantasy underworld was real or a product of Ofelia's imagination, del Toro stated in an interview that, while he believes it is real, the movie "should tell something different to everyone.
It should be a matter of personal discussion". He then mentioned there were several clues in the movie indicating the underworld was indeed real.
Guillermo Navarro , the director of photography , said that "after doing work in Hollywood on other movies and with other directors, working in our original language in different scenery brings me back to the original reasons I wanted to make movies, which is basically to tell stories with complete freedom and to let the visuals really contribute to the telling of the story".
The pale man's eyes on his hands is a feature shared by the Japanese mythological monster the Tenome a name which means "hand eyes".
Pan's Labyrinth employs some computer-generated imagery in its effects, but mostly uses complex make-up and animatronics.
The giant toad was inspired by The Maze. Del Toro himself performed the noises. The mandrake root is a combination of animatronics and CGI.
Del Toro wanted the fairies "to look like little monkeys, like dirty fairies", but the animation company had the idea to give them wings made of leaves.
The last piece to be applied was the pair of horns, which weighed ten pounds and were extremely tiring to wear. His lower leg was eventually digitally erased in post production.
Del Toro told Jones to "go rock star But less David Bowie , more Mick Jagger ". The Captain's room, as shown in the scene where Captain Vidal is shaving, is supposed to resemble his father's watch, which del Toro says represents his troubled mind.
A bout of weight loss on Del Toro's part inspired the physical appearance of the saggy-skinned Pale Man. The film uses subtitles for its translation into other languages, including English.
Del Toro wrote them himself, because he was disappointed with the subtitles of his previous Spanish film, The Devil's Backbone. In an interview, he said that they were "for the thinking impaired" and "incredibly bad".
He spent a month working with two other people, and said that he did not want it to "feel like Its first general release was in Spain on 11 October , followed by a release in Mexico nine days later.
Its widest release in the United States was in 1, cinemas. Additionally, the film received a special limited edition release in South Korea and Germany.
Only 20, copies of this edition were manufactured. It is presented in a digipak designed to look like the Book of Crossroads.
The German special limited edition contains three DVDs and a book containing the movie's storyboard.
Pan's Labyrinth was released for download on 22 June from Channel 4's on-demand service, 4oD. New Line stated that due to their announcement of supporting Blu-ray exclusively, thus dropping HD DVD support with immediate effect, Pan's Labyrinth would be the only HD DVD release for the studio, and would be discontinued after current stock was depleted.
Home Entertainment remastered for 4K. The site's consensus reads: " Pan's Labyrinth is Alice in Wonderland for grown-ups, with the horrors of both reality and fantasy blended together into an extraordinary, spellbinding fable.
Mark Kermode , in The Observer , labeled Pan's Labyrinth as the best film of , describing it as "an epic, poetic vision in which the grim realities of war are matched and mirrored by a descent into an underworld populated by fearsomely beautiful monsters".
And I'm still not finished with my discoveries. I'm still looking at more movies, too, and that list will run as usual in late December.
Nothing I am likely to see, however, is likely to change my conviction that the year's best film was Pan's Labyrinth.
Some reviewers had criticisms. Del Toro has the art of many parts, but only makes them cohere as a sort of fevered extravaganza".
Metacritic named it the best reviewed film of the decade" in Mediernes vurdering 0 0. Bruger anmeldelser 24 Skriv din egen anmeldelse.
Pan's Labyrint er en fantastisk film! Okay film. Husk min adgangskode. Opret ny kino. Seneste anmeldelser.
Startet af Hanne. Startet af Sophie. Startet af Margit. This incident in the movie, shifts the tide in favor of the Resistance. Soon after, Vidal discovers that his housekeeper Mercedes is a spy.
Ofelia is locked in her bedroom, and Mercedes is taken to be tortured. However, she frees herself, stabs Vidal, and rejoins the rebels.
The faun returns to Ofelia and tells her to bring her baby brother into the labyrinth. Vidal pursues her. The faun tells Ofelia that opening the portal to the underworld requires the blood of an innocent.
The faun suggests a few drops of her baby brother's blood. Ofelia refuses to harm her brother; for further disobeying his orders, the faun refuses to help her.
Vidal finds Ofelia talking to someone the faun whom Vidal cannot see. Vidal takes the baby from her arms and fatally shoots Ofelia; then, when he reaches the labyrinth's entrance, he is surrounded by the rebels who have taken over the outpost.
Knowing that he will be killed, he hands the baby to Mercedes. One of the rebels kills Vidal. The movie ends with drops of Ofelia's blood falling down the center of the spiral stone staircase onto an altar.
Ofelia then appears in a golden throne room. The king of the underworld says that she passed the final test, which was to choose to spill her own blood rather than that of her baby half-brother.