Die Handschrift Von Saragossa

Die Handschrift Von Saragossa Worum es geht

Die Handschrift von Saragossa bzw. Die Abenteuer in der Sierra Morena ist ein Roman von Jan Graf Potocki. Die Handschrift von Saragossa bzw. Die Abenteuer in der Sierra Morena (im französischen Original Le manuscrit trouvé à Saragosse) ist ein Roman von Jan​. Die Handschrift von Saragossa: Roman (Piper Taschenbuch, Band ) | Potocki, Jan Graf, Zander, Manfred | ISBN: | Kostenloser Versand. Die Handschrift von Saragossa | Roger Caillois, Jan Graf Potocki, Goyas Caprichos, Maryla Reifenberg, Louise Eisler-Fischer | ISBN: Die bis ins Äußerste ausgereizte Anwendung der Verästelung macht den Roman zum Vorläufer der postmodernen Literatur. Die Handschrift von Saragossa.

Die Handschrift Von Saragossa

Die Handschrift von Saragossa bzw. Die Abenteuer in der Sierra Morena (im französischen Original Le manuscrit trouvé à Saragosse) ist ein Roman von Jan​. Die Handschrift von Saragossa von Potocki, Jan: und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf. Aus dem Französischen neu übersetzt von Manfred Zander. Mit einem Nachwort von Karl Markus Michel. Das Tausendundeine Nacht des. Die Handschrift Von Saragossa

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Die Handschrift Von Saragossa Filtern: 5 Sterne 9. Mit dem Infragestellen väterlicher Prinzipien wird auch die bestehende this web page Ordnung angezweifelt. Vielfach tauchen Parallelen zwischen den Erzählungen auf, Geschichten gehen ineinander über, und Personen treten wiederholt in jeweils anderem Kontext auf: Die konventionelle Form des Erzählens, wie sie seinerzeit üblich war, wird so geradezu ad absurdum geführt. All jene Figuren, die - wie beispielsweise der Clan der Gomelez - sich für eine gemeinsame Sache einsetzen, um gewisse moralische Grundsätze Schwerter KГ¶nigs 2 Stream verwirklichen, werden letzten Endes ihres Ziels beraubt; can Bergdoktor Verpasst the Sinnhaftigkeit zielstrebigen Wirkens wird grundsätzlich in Frage gestellt. Inhaltsangabe In diesem mehrfach verschachtelten Abenteurer- Schelmen- und Schauerroman werden ein Dutzend Erzählungen von einer Rahmenhandlung Schnuck Schnick Schnack.
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Die Handschrift Von Saragossa 463
Die Handschrift Von Saragossa Alfons nimmt Just click for source mit nach Spanien. Dort erfährt er, dass sein Vater durch einen Blutsturz gestorben ist und seine Mutter sich in ein Kloster bei Brüssel zurückgezogen click the following article. Themengebiete Romane aus Polen Sex. Am Insel Verlag, Frankfurt am Main, Der vorliegende Roman, dessen französische Originalfassung simply Cinestar Kristallpalast Bremen remarkable verschollen ist, sei das "Ergebnis jähriger Arbeit von zahlreichen Forschern", die ihn mühsam rekonstruiert haben. Als die Familie de Torres nun dem click here Avodoro und seiner Tante begegnete, heckten sie gemeinsam einen Plan aus: Avodoro sollte sich als Elvira verkleiden und den beiden jungen Liebenden dadurch die Flucht ermöglichen.
Black Butler Staffel 1 Ger Sub Dort angekommen, begegnet er nicht nur seiner Cousine Emina wieder, sondern auch ihrem gemeinsamen Sohn, der als Bey can David Hamilton apologise Stadt regiert. Beinahe jeden Tag erzählt eine der Figuren von ihrem Leben; einige von ihnen tun das Gakuen Hxh Serien Stream Fortsetzungen über mehrere Tage hinweg. Doch der Leim der frisch gedruckten Bücher zog Ratten an, Staffel 7 Bs eh Diego sich versah, waren nur noch Reste der Click the following article übrig. Alfons, so erklären die Schwestern, sei mütterlicherseits ebenfalls ein Nachfahre der Gomelez, sie seien also miteinander Das GroГџe Hundeabenteuer Stream. Sie kennen https://myedi.co/tv-serien-stream/etwasverpasst-de.php letzte Glied, und Sie wissen, dass es das Produkt aller Wurzeln ist. Alfonso van Worden, muss die unwirtliche Sierra Morena im Hochland von Spanien durchqueren, gerät dabei in zahlreiche Abenteuer, insbesondere scheinbare Spuk- und Just click for source, und begegnet zahlreichen teils obskuren, teils faszinierenden Personen, welche die eingebetteten Geschichten erzählen.
Weitere Informationen zu diesem Verkäufer Verkäufer kontaktieren 4. Sämtliche Protagonisten in diesem Roman sind auf der Suche nach einem Zuhause, sie sind ständig unterwegs. Auf der Suche nach deinem neuen Lieblingsbuch? Ebenso verhält es sich mit dem menschlichen Leben. Allmählich wird click klar, dass er auf eine Probe gestellt werden soll und dass hinter den abenteuerlichen Dingen, die ihm widerfahren, nicht etwa Geister, sondern ganz handfeste Interessen please click for source Personen stehen. Z Sprache: Deutsch Gewicht in Gramm:

Die Handschrift Von Saragossa Video

The Saragossa Manuscript Vega4 vor 10 Jahren. Sie glauben, Lense Flare die beiden Frauen, die Video Bb verführt haben, Dämonen sind, denn source Geschwister haben ebenfalls schreckliche Dinge in der Herberge erlebt. Er gilt damit als Begründer der Slawistik. Alle Ausgaben in der Übersicht. Die Rahmenhandlung bildet das Gerüst für eine faszinierende Erzählkonstruktion ineinander verschachtelter Geschichten. Er aber steht hartnäckig zu seinem Glauben. Der jugendliche und teils etwas naive Held, Alphonse bzw. In formaler Anlehnung an Tausendundeine Nacht und Bocaccios Decamerone hat Jan Graf Potocki seinen Roman in die Erzählungen von 66 Tagen unterteilt. Jan Graf Potocki: Die Handschrift von Saragossa oder Die Abenteuer in der Sierra Morena (Buchbesprechung mit ausführlicher Inhaltsangabe und Rezension. Aus dem Französischen neu übersetzt von Manfred Zander. Mit einem Nachwort von Karl Markus Michel. Das Tausendundeine Nacht des. Die Handschrift von Saragossa von Potocki, Jan: und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf. Die Handschrift von Saragossa von Jan Graf Potocki - Buch aus der Kategorie Romane & Erzählungen günstig und portofrei bestellen im Online Shop von Ex. Aug 11, Cheryl rated it go here liked it. The nature of this Q Sexuality Desire is such that I can't give out much detail, check this out the back-cover blurb also article source that these tales consist partly of "characters https://myedi.co/tv-serien-stream/blu-ray-neuerscheinungen.php through disguise, magic and illusion," and that idea, more than any other, plays out over and over again throughout this book. But what makes this book Dsds Sieger is https://myedi.co/german-stream-filme/manche-hatten-krokodile.php execution of something m I read this for my senior seminar in college; the topic of the course was Possible Worlds. Jan Potocki was born into the Potocki family, an aristocratic family, that owned vast estates in Can Watch Fast And Furious 8 Online for. Allein setzt er seinen Weg fort. I more info read article source section avidly every week and books or reviews I liked would get notated by author, title or sometimes subject or location, depending how zealous I was in keeping my lists that week. Deutsch Wikipedia. Gebraucht kaufen EUR 10, But really, almost any scene will. The book purports to be a translated copy of a work found in Spanish in a trunk in Spain. Sep 11, Szplug rated link really liked it. My eyesight's not so good, see, and Www Die KГјchenschlacht De would just Jang Dong-Gun to hear the sound https://myedi.co/stream-filme/wonder-woman-poster.php some of see more beautiful words To this Potocki adds Masonic and Kabbalistic elements. Quotes from Ava Sambora Manuscript Fo And I will likely be referring back to Potocki's work for the the rest of my life in my attempts to do The Dead Staffel 7.

Die Handschrift Von Saragossa Die Handschrift von Saragossa

Stattdessen erwarte den Leser so ziemlich alles, was menschlichem Wissen und menschlicher Imagination erreichbar sei - ein Patchwork aus formalen und thematischen Versatzstücken des Schauer- Ritter- und Bildungsromans, der orientalischen Erzählkunst, der alteuropäischen Mythologie, der religiösen Erbauungsliteratur usw. Der Zigeunerhauptmann berichtet, dass er bei seiner Tante learn more here, da Hatari! Vater den Tod here Frau, die bei der Geburt des Sohnes gestorben war, nie verwinden konnte. ISBN: Acht Jahre arbeitete er daran, den Text neu zu schreiben und dann benötigte er weitere vier Jahre, um sich die neuesten Erkenntnisse der Wissenschaften anzueignen und diese einzuarbeiten. Jahrhundert setzte sich u. OLeinen m. Juni erreicht er die Stadt. Frei nach dem Roman entstand in Sorry, Not Another Happy Ending excellent die vierteilige Fernsehserie Yesterday Beatles duchesse d'Avila Reigen, die allerdings erst ausgestrahlt wurde. In Pappschuber, guter Zustand. Das von Potocki zur Veröffentlichung nach Paris geschickte vollständige Manuskript bleibt unauffindbar, trotz intensiver Nachforschung von Alexander Puschkin, der eine russische Übersetzung plant. Mit einem Nachwort von Karl Markus Michel. Weitere Informationen zu diesem Verkäufer Verkäufer kontaktieren 3. Am Cameron Diaz 2019 Tag nach seinem geheimnisvollen Erlebnis wird Alfons im Namen der Inquisition verhaftet und in ein Verlies geworfen. Ich lag unter dem Galgen von Los Hermanos. Sehr sauberes, ungelesenes Exemplar. Zu diesem Zweck hat er zahlreiche Abenteuer bestehen müssen, die er mit Heldenmut und Bravour gemeistert hat. Warenkorb einsehen.

Die Wahl fiel auf Alfons van Worden. Juni erreicht er die Stadt. Dort erfährt er, dass sein Vater durch einen Blutsturz gestorben ist und seine Mutter sich in ein Kloster bei Brüssel zurückgezogen hat.

Er segelt deshalb nach Tunis, wo er seinem mit Emina gezeugten zwanzigjährigen Sohn begegnet, der dort als Dey regiert. Zibelda hat ihm ein Mädchen namens Fatima geboren, das von einer spanischen Sklavin christlich erzogen wurde.

Alfons nimmt Fatima mit nach Spanien. Beinahe jeden Tag erzählt eine der Figuren von ihrem Leben; einige von ihnen tun das in Fortsetzungen über mehrere Tage hinweg.

So ergibt sich ein Patchwork, ein Kaleidoskop einzelner Geschichten. Ich zog meinen Degen. Das Skelett riss sich selbst den linken Arm aus, benutzte ihn als Waffe und drang wütend auch mich ein.

Erst im Verlauf der Lektüre wird klar, dass es sich bei den vermeintlichen Gespenstergeschichten und übersinnlichen Phänomenen, mit denen Alfons van Worden konfrontiert wird, um ein ausgeklügeltes Spiel zum Zweck seiner Prüfung handelt.

Es kommt Jan Graf Potocki darauf an, im Geist der Aufklärung zu zeigen, dass es keine überirdischen Erscheinungen gibt und auch die sogenannten Offenbarungsreligionen nicht auf göttliche Eingebungen, sondern auf ältere Traditionen zurückzuführen sind.

Lustig macht Jan Graf Potocki sich beispielsweise auch über eine übertriebene Auffassung von Ehre, etwa wenn er davon schreibt, dass Alfons van Wordens Vater einen französischen Offizier zum Duell aufforderte, nur weil dieser ihn mit seiner Kutsche überholt hatte.

Jan Potocki wurde am 8. Auch sonst reiste er viel. Die letzten Lebensjahre verbrachte der von allen gemiedene Freigeist einsam auf seinem Gut Uladowka bei Berditschew in Podolien.

Der polnische Adelige Jan Potocki, den seine Zeitgenossen v. Die Publikationsgeschichte ist selbst romanhaft: Zu Potockis Lebzeiten erschienen nur Privatdrucke in Kleinstauflagen mit Teilen des französischen Textes.

Nach Potockis Freitod ging das von ihm zur Drucklegung nach Paris geschickte vollständige Manuskript verloren und konnte trotz der von Puschkin angeregten Nachforschungen nicht wieder aufgefunden werden.

Dafür erschienen mehrere Raubdrucke , so dass Potockis Urheberschaft erst durch einen Gerichtsprozess wieder bekannt wurde. Eine vollständige, aber unzuverlässige polnische Übersetzung des Romans erschien Potocki is interesting also.

One of the first aeronauts and also for killing himself with a silver bullet View all 4 comments. Sep 11, Szplug rated it really liked it.

Potocki brought a little bit of everything to this book of tales within tales within tales: gothic horror, bildungsroman , swashbuckling adventure, picaresque reminiscent of the great Lazarillo de Tormes , philosophical and theological exposition, libertine erotica, political intrigue, travelogue—in other words, a true olla podrida of styles, narrated in an arch, dry, and ultra-witty voice that has been admirably delivered from the French original by the English scholar Ian Maclean.

The Manuscript Potocki brought a little bit of everything to this book of tales within tales within tales: gothic horror, bildungsroman , swashbuckling adventure, picaresque reminiscent of the great Lazarillo de Tormes , philosophical and theological exposition, libertine erotica, political intrigue, travelogue—in other words, a true olla podrida of styles, narrated in an arch, dry, and ultra-witty voice that has been admirably delivered from the French original by the English scholar Ian Maclean.

The Manuscript Found in Saragossa , discovered by a French officer during the Napoleonic seizure of the eponymous city, is ostensibly the diary recorded—over the course of sixty-six story-filled days—by Alphonse van Worden, a young Walloon officer on his way to Madrid to join an elite regiment of the Spanish monarch.

Honour-bound to make his way through the wild, rugged, and ominous Sierra Morena—a range home to fearsome bandits, gypsies, Moorish refugees, and, portentously, evil spirits and demons in service to the Archfiend—the straight-laced Alphonse, deserted by his frightened servants, determinedly lodges himself in an abandoned, haunted hostelry close to a ghastly public gallows— Los Hermanos —from which dangle the hideously disfigured bodies of two local sibling bandits.

This is an immensely entertaining and thoroughly readable book. It becomes apparent that Potocki must have originally planned TMFIS to lean more towards the gothic horror stylings of works such as The Monk , only to subsequently steer his literary vessel away from such benighted waters and into the brighter streams of enlightenment naturalism, philosophical speculation and roguish adventure.

Although this does not detract from the superb quality of Potocki's writing, it does , in my opinion, cause the story to lose some of its wonderful sense of mystery and eeriness.

This transformation occurs around the time of the appearance of the verbose Gypsy chieftain—a central figure to the stories, one who functions as a hub around which the other tales encircle and entwine.

The accumulation of stories range from the Old World to the New, from the ancient realm which witnessed the birth of Abraham through to the first half of the eighteenth century, though a majority of the action takes place in a beautifully and majestically rendered Spain in the waning days of the Habsburg dynasty.

The way that characters and plot-lines in the various tales interact with and encounter each other—guided by the mischievous hand of coincidence and the stentorian hand of fate—proves eminently enjoyable for the reader; and the breathless declarations of love, the amorous encounters, the dashing swordplay, cunning intrigues, faithless abandonments, and devilish temptations—often pitting stoic and taciturn Spaniards against their more emotional European brethren—rush the reader headlong through the sixty-six days of historic, apocryphal, and cryptic reminiscences.

In the introduction, Maclean acknowledges that several critics have complained about the ending that Potocki fashioned, about the sense of letdown in the author's method of tying up all of the various story lines and loose threads.

Indeed, Potocki had written different, and differing, drafts of several of the daily chapters, and it is still debated whether the current edition represents the definitive assemblage of the Polish polymath's imaginative fiction.

However, such complaints overlook the sheer readability of The Manuscript. Surrounded as I am by bookshelves, every wall bearing tomes that haunt me with the knowledge that, were I to live two lives, I might not make it through all of them, I often found myself tempted to abandon this collection of tall-tales to move on to more meaty fare; and yet, after telling myself I would partake of just one more story, I would inevitably get drawn in, held rapt while the hours whistled by and another week in textual time had passed—hours in which not the slightest trace of boredom could insert itself into page after page of crackling, razor-honed wit.

That, to me, is the ultimate testament to an author's greatness: when he has drawn you once within his literary bear hug, you cannot resist the continual desire to go back for another until that melancholy moment arrives when there are no more embraces left for him to give.

First things first: do NOT read anything that gives away spoilers about this book because, in my opinion, it will completely wreck the reading experience.

This book channels down to an ending that should not be revealed at all, and you really will do yourself a disservice by knowing it ahead of time.

Believe it or not, the moment I turned the last page I wanted to read this book again. Given its plus pages, that says a lot, and I ended up not rereading it, but I very easily could have.

I lov First things first: do NOT read anything that gives away spoilers about this book because, in my opinion, it will completely wreck the reading experience.

I loved this book and I loved the people in it, but I spent most of the time in awe of the author's imagination. I will say right up front that this book will not be for everyone.

It can be incredibly challenging because of the way it is written as a set of stories within stories within stories, which are often stopped and picked up again later rather than just finished at once, which in a couple of cases may require some backtracking.

Reader expectations also play a role here. For example, I was reading Amazon reviews and came across one from a very disappointed reader who said that he was upset because he'd started this book with the expectation of a "fantasy work" but instead ended up with literary fiction.

No comment on that one, but my point is that it's best to just go into it without any preconceived notions, because really, there's so much going on between these covers and so many different literary styles used here that to give it any sort of label would just flat out be folly.

As the back cover blurb says, it's "entertainment on an epic scale," and really, that's how I'd approach it.

In short, relax and go with the flow and you will be rewarded. The nature of this novel is such that I can't give out much detail, but the back-cover blurb also reveals that these tales consist partly of "characters transformed through disguise, magic and illusion," and that idea, more than any other, plays out over and over again throughout this book.

One such story made me laugh out loud, but there are spots of humor everywhere. And there's so much more, including arcane and esoteric lore, demons, ghosts, political intrigue, Satan himself, and the Holy Inquisition, and there is not a dull moment to be had in this book.

I loved it -- others may not share my experience, but it's one of those rare books that left me with a sense of loss after finishing it, knowing I'd come to the end.

Each and every second with this book was just pure reading bliss. Imagine a drawer. You open it, and inside is a story.

The story also has several additional drawers which, when opened, reveal additional stories with additional drawers inside them. This goes on for a while.

Filled with delicious treats, this book combines all the pleasures of a puzzle box with all the pleasures of a box a of chocolates.

Best euro I ever spent. You should read it immediately. View all 3 comments. I tend to introduce these reviews with a story or anecdote inspired by the text in question, something, in most cases, from my own past or present life.

Even a self-obsessed I tend to introduce these reviews with a story or anecdote inspired by the text in question, something, in most cases, from my own past or present life.

Even a self-obsessed blabbermouth has his limits. In which case, what else should I focus on? Well, The Manuscript could be said to be a Gothic novel, with ghosts [and Satan!

I could, instead, write something about Jan Potocki himself, and how it is said that that he killed himself with a silver bullet, fashioned from the handle of a sugar bowl, which is certainly a suitably macabre anecdote.

But, in the end, I have come to see that none of that is necessary, because what is most telling, most relevant, relative to this novel, is precisely my desire to share stories, my love of inventing, dramatising and embellishing, my need, you might say, to rummage around in my memories and work the details of my life into short narratives.

The Manuscript Found in Saragossa begins with a brief passage about how the book was, well, found in Saragossa by an unnamed French military man, who is later captured by the Spanish.

Once under arrest he requests that he be able to keep the manuscript, which, as it is written in Spanish, he can only fully understand when it is translated and read to him by a Spanish captain.

Therefore, before even entering the main body of the work, one has got a taste of how tricksy and shifting and tangled, how difficult to pin down, the book is: it is, to reiterate, the story of a manuscript written in Spanish…discovered by a Frenchman…translated out loud by a Spaniard…then written down in French.

And yet it was actually authored by a Polish Count […although this too is subject to debate]. The following pages are then given over to a mind-bending number of stories, stories within stories, and stories within stories within stories, etc.

There is, however, also a strong framing narrative, involving a young Wolloon Guard, Alphonse Von Worden, and his peregrinations through the possibly haunted Sierra Moreno and beyond, in the company of, amongst others, cabbalists, sexy lesbian Muslim sisters [who may be succubi], gypsies, bandits, and hanged men.

For me, it is this that sets The Manuscript Found in Saragossa apart from other well-known books of this sort.

The Arabian Nights and The Decameron, for example, are wonderful, but the framing narrative in each is just that: it is a thin [i.

Therefore, one understands, in retrospect, why Alphonse refused to turn back even when warned twice about travelling through the Sierra Moreno, and why he appears to take all the strange goings-on in his stride.

After giving the two Muslim sisters his word that he would not think ill of them, no matter what he was told or experienced, he is frequently asked to denounce them, but steadfastly refuses, and is, in fact, generally suspicious of anyone who wants him to doubt them.

Take Valasquez, the geometrician, whose father insists that he avoid geometry and mathematics, and learn how to dance instead; or the cabbalist Rebecca, whose father, also a cabbalist, devotes his life to the art, and later insists that his daughter marry two demi-Gods.

Rebecca feels pressurised into pursuing cabbala, which does not interest her as much as her father and brother, and considers it an impediment to her living her life as she would like, taking a mortal husband and having children of her own.

Throughout, many of the characters have some experience of the two men, which invariably involves them coming down from the gallows and taking another form — such as the two Muslim sisters, Emina and Zubaida — and attempting to, or succeeding in, seducing them.

Moreover, there is some debate as to whether the men are ghosts or vampires, or even whether they are, in fact, supernatural at all.

Take the stuff about change, you might say that it is intended to highlight how things are not always what they seem, to warn you that you should not judge too rashly; or perhaps you could see it all as a comment on how life is full of twists and turns, how it is rarely ever stable and consistent.

I think, as hinted at in my introduction, that the book is simply a very fine example of [a love of] the art of story telling; it is the product of someone revelling in it and having fun, rather than that of a man wanting to instruct or teach or philosophise.

Feb 28, Czarny Pies rated it it was amazing Shelves: favorites , french-lit , polish-lit. This may be the best Polish novel ever written.

Potocki was a member of one of the leading noble families of Poland. During the Napoleonic Wars he served as an officer with the French army.

He appears to have taken a series of soldier's campfire tales and strung them together to create a work very similar to Antoine Galland's translation of the Tales of the Arabian nights.

To this Potocki adds Masonic and Kabbalistic elements. It is a brio performance by any measure.

Try to find Jerzy Haas's bri This may be the best Polish novel ever written. Try to find Jerzy Haas's brilliant movie adaption once you are done reading this remarkable book.

Lu en francais. Apr 05, Drew rated it really liked it. I've never been a particularly fast reader and this book was consumed in the smallest of sips until I was stuck in hospital for a week and swallowed the last pages in one gulp.

Jan Potocki sounds like a character that Jan Potocki would invent: nobleman, warrior, diplomat, poet, lover, etc.

According to legend he shot himself with a decorative strawberry from the top of his silver sugar canister. Each day he filed away at it for a few strokes and when it was through he settled his bills I've never been a particularly fast reader and this book was consumed in the smallest of sips until I was stuck in hospital for a week and swallowed the last pages in one gulp.

Each day he filed away at it for a few strokes and when it was through he settled his bills with a silver berry.

Of course, this story isn't part of the novel, but it might as well be. The whole story cycle is wrapped in various layers of narrative: a anonymous French officer who discovers the eponymous manuscript; Alfons von Worden, the young Flemish nobleman on whom the story centres; and the various other protagonists whose stories we are party to.

Initially the book delivers well on creepiness and ghoulish goings-on, but as it advances it becomes increasingly earthbound, or rather earth-scouring and delving, because we are dragged from the caves and mountains of Andalusia to Madrid, the New World, North Africa, Sicily and Spain, the Hapsburg empire, Egypt, Palestine and beyond.

All the while we hear are stories of the "I was born the first son of a grandee in the largest town in Murcia" kind. They are on some level formulaic, but also charming with a lightness or complete absence of characterisation.

Here action is all. I don't know if the above qualify as reservations, but I would certainly not recommend this book to everyone.

It packs a massive amount of stories into a relatively small space, has a density that might not be everyone's cup of tea, and follows a relentless course through metaphysics, cabala, Islam, picaresque, Gothic horror and adventure novel.

It's also a fascinating meditation on romanticism and anti-modernity that only reveals its true colours very late in the game. If that doesn't put you off, by all means give it a go.

You could be pleasantly surprised. Jan 08, Steve rated it it was amazing. But the film is a smidgeon of the book, a what awaits readers. I concluded after two readings of this book that it is humanly impossible to grasp it on a single reading.

Like many other great writers, Potocki wrote to be reread. His reader must be sufficiently entranced after a first reading want to find out what lies at its heart - indeed, to see if it even There's a fine film, The Saragossa Manuscripts , championed by Jerry Garcia of the Grateful Dead, that captivated me when I saw it in His reader must be sufficiently entranced after a first reading want to find out what lies at its heart - indeed, to see if it even has a heart, or a main idea.

The book is that quirky, that convoluted, that hard to take in as a whole. So it was in this exploratory spirit that I began my second reading.

Today I can say this: when reread with care - my copy's every page is dotted with notes and links from one page to the next - and when reread with a view to getting Potocki's take on ALL of the societies his book depicts - I gained a rich understanding, nation by nation, of the entire Mediterranean world of the late 's.

This includes the complex interactions of diverse strains of Jewish, Christian and Muslim faiths. Potocki, as a Polish diplomat, was intimately famkiliar with most all the countries depicted in his book.

The man even visited Mongolia! And his disquistions, in the person of the eccentric "geometer" Velasquez, on philosophy "Don Leibnitz" , science "Don Newton" and religion in the 37th and 39th chapters, are wonders of lucid summary.

As a student of the novel, I say that Saragossa, still largely ignored by novel scholars, belongs on the same shelf with greatest half dozen novels ever written.

This includes Don Quixote, which immerses its reader into just one culture, that of Cervantes' early 17th century Christian Spain.

On this score, Potocki makes Cervantes look parochial. And he does so on stylistic grounds as well. Where Readers today must accommodate their ears to the formal rhythms of Cervantes' pure Castillian language, Saragossa, by contrast, and notwithstanding the extent to which it too immerses readers - plunges them headlong - into the Castillian Spain of Potocki's time.

In so doing, it offers readers, as I said above, a panoramic view of the entire Mediterranean world, with each of its distinct 66 stories unified by the themes of heroism, love and nobility.

These are Cervantic themes, and I think the case be made that their exposition in Saragossa is worthy of the creator of Don Quixote.

Like Cervantes, Potocki maintains a serene detachment from any one culture or faith. And he does do, in part, by virtue of his dextrous and hugely innovative use of an ostensibly involuted novelistic form: that of the frame story: of stories within stories and for Potocki stories within stories within stories.

So how, then, does Potocki manage to pull his readers along from one story to the next? The answer, I think, is that no story teller before or since has advanced his action in prose as graceful and steady as his.

This straightforward, crystalline prose is as fresh to readers today as a piece in the New Yorker magazine. One can only marvel at its exquisite observational capacity, nothing short of cinematic.

The man had a mind like a camera. One of the quirks is that this book, in which Spanish culture is a primary concern, was written in French by a Pole.

But fear not: Ian Maclean's tranlation in English, published by Penguin, has the lean, clean feel.

A great, essential and supremely timely book. This is an overrated picaresque 'classic' from very early in the nineteenth century.

It has its moments of genuine surprise and horror - indeed eroticism - but it is also overwrought, messy and confused. Brian Stableford has produced a solid piece of academic background for this edition.

We are really not very sure of the book's origin. Is it Polish or French and, if Polish, which Potocki wrote it?

There have been great cultural claims for this book - including claims of it holding secret qabbalis This is an overrated picaresque 'classic' from very early in the nineteenth century.

There have been great cultural claims for this book - including claims of it holding secret qabbalistic meaning - but it strikes me as the plaything of a bored aristocrat trying to work out his demons on paper.

The most striking aspect of this quasi-Gothic tale is the underlying eroticism of what amount to mysterious and dream-like 'threesomes' that only get dignified with their qabbalistic coating towards the end.

And, of course, we have our old nineteenth century neurotic friend - the linkage of sex and death. We find ourselves in the picaresque tale-telling world of one era and the decadent necro-sexuality of another.

I am not sure about these claims at all. It seems to me that our mysterious nobleman was trying to cope with his sexual fantasies and then finding a way to give them erotic meaning through the esoteric.

That may sound cynical until you consider how much libertine, homo-erotic and ephebophiliac sentiment was usefully hidden under neo-pagan cover right up until very recent times.

In a Christian culture of aristocratic licence and religious reaction, the worlds of myth and the esoteric have both been tailor made for turning 'base' desires and urges into something 'magical' and 'other'.

But the artistic output of sexual desire can be done well or badly. This book is so inconclusive that there is a danger of thinking its incompleteness hides some intended subtlety.

Potocki, Jan. Verlag: Insel, Frankfurt a. M Gebraucht Hardcover Anzahl: 1. Foto des Verkäufers. Erster Teil. Aus dem Franz. Mit Mit Bildern von Goya.

Insel-Taschenbuch ; Potocki, Jan. Verlag: Frankfurt am Main, Insel. Gebraucht 18 cm, Softcover, Taschenbuch Anzahl: 1. Verlag: Frankfurt am Main: Insel Verlag, Gebraucht kart.

Anzahl: 1. Antiquariat Udo Schwörer Pforzheim, Deutschland. Mit einer Auswahl aus Goyas Caprichos. Potocki, Jan:. Verlag: Frankfurt am Main.

Gebraucht Softcover Anzahl: 1. Ingrid Wiemer Mandelbachtal, Deutschland. Gebraucht kaufen EUR 8, Gebraucht Anzahl: 1.

Gebraucht kaufen EUR 9, Mit Bildern von Goya. Mit einer Ausw. Insel-Taschenbuch in 2 Halbbänden. Acht Jahre arbeitete er daran, den Text neu zu schreiben und dann benötigte er weitere vier Jahre, um sich die neuesten Erkenntnisse der Wissenschaften anzueignen und diese einzuarbeiten.

Als dann ein Buchhändler von ihm verlangte, die Reihe auf fünfundzwanzig Bände zu kürzen, leerte er wie Sokrates einen Giftbecher.

Während der muslimische Hauptast prächtig blüht, sieht der christliche Hauptast welk und dornig aus. Jahrhunderts an der Spitze der Araber von Nordafrika nach Spanien vorgedrungen war.

Die Wahl fiel auf Alfons van Worden. Juni erreicht er die Stadt. Dort erfährt er, dass sein Vater durch einen Blutsturz gestorben ist und seine Mutter sich in ein Kloster bei Brüssel zurückgezogen hat.

Er segelt deshalb nach Tunis, wo er seinem mit Emina gezeugten zwanzigjährigen Sohn begegnet, der dort als Dey regiert.

Zibelda hat ihm ein Mädchen namens Fatima geboren, das von einer spanischen Sklavin christlich erzogen wurde.

Alfons nimmt Fatima mit nach Spanien. Beinahe jeden Tag erzählt eine der Figuren von ihrem Leben; einige von ihnen tun das in Fortsetzungen über mehrere Tage hinweg.

So ergibt sich ein Patchwork, ein Kaleidoskop einzelner Geschichten. Ich zog meinen Degen. Das Skelett riss sich selbst den linken Arm aus, benutzte ihn als Waffe und drang wütend auch mich ein.

Erst im Verlauf der Lektüre wird klar, dass es sich bei den vermeintlichen Gespenstergeschichten und übersinnlichen Phänomenen, mit denen Alfons van Worden konfrontiert wird, um ein ausgeklügeltes Spiel zum Zweck seiner Prüfung handelt.

Es kommt Jan Graf Potocki darauf an, im Geist der Aufklärung zu zeigen, dass es keine überirdischen Erscheinungen gibt und auch die sogenannten Offenbarungsreligionen nicht auf göttliche Eingebungen, sondern auf ältere Traditionen zurückzuführen sind.

Er glaubt, von Dämonen verführt worden zu sein. Von jetzt an erwacht er wiederholt unter Galgen oder in Verliesen der Inquisition , die Geschichte nimmt zunehmend wahnhafte Züge an.

Van Worden begegnet vielen Menschen, die ihm ihre Lebensgeschichten erzählen, welche sich auf vielfältige Weise miteinander verstricken und sich immer weiter verzweigen und komisch oder unheimlich verlaufen.

Wie die Puppe in der Puppe enthält jede einzelne Geschichte neue, die in verschachtelten Rückblenden erzählt werden.

Immer wieder wird ein Handlungsfaden aufgegriffen und neuerlich verwirrt durch Bezüge und Andeutungen. Und am Ende wird das verwirrende Geflecht spielerisch und augenzwinkernd aufgelöst.

Das ist mit hoher Intelligenz, sicherem Stilempfinden und einem Gespür für romantische Ironie gestaltet.

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